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Сборник статей международной конференции «Световой дизайн – 2017»

Сборник статей международной конференции «Световой дизайн – 2017»

Опубликован сборник статей IV Международной научно-практической конференции «Световой дизайн – 2017. Тема: «Идентичность сквозь световую среду».

Редакторы

Роже Нарбони
Всемирно известный французский светодизайнер, художник и инженер, директор студии CONCEPTO (Париж, Франция). В 1987 г. занялся развитием нового для мирового рынка направления «световой урбанизм» и с тех пор реализовал свыше 120 мастер-планов во Франции и за рубежом. Является разработчиком стратегии “Dark infrastructure”, которая предлагает новый метод ограничения светового загрязнения и сохранения ночного биоразнообразия в городской среде. 

Марк Фонтойнон
Кандидат наук в области энергетики, профессор Aalborg University (Дания). Награжден медалью Френеля и премией Alfred Monnier Lighting Award. Является вице-президентом European Lighting Cluster Alliance (ELCA), а также координатором CENELEC, европейского комитета электротехнической стандартизации, отвечающего за европейские стандарты в области электротехники

Наталья Быстрянцева
Кандидат архитектуры, руководитель Высшей школы светового дизайна Университета ИТМО, вошедшей в топ-5 вузов Европы по версии крупнейшей европейской конвенции светодизайнеров PLDC и авторитетной премии в области светового дизайна PLDR 2017. Член жюри и партнер в России международной профессиональной премии в области инновационного светового дизайна LIT AWARDS (Лос-Анжелес, США). Руководитель творческого объединения светодизайнеров RULD и Института Art & Science Университета ИТМО

Алексей Бахолдин
Кандидат технических наук, доцент, заведующий кафедрой Прикладной и компьютерной оптики Университета ИТМО. Является преподавателем пяти дисциплин, в числе которых Теория и методы проектирования оптических систем, Эргономика зрительной деятельности, Проектная деятельность. Автор порядка 100 статей по направлениям Оптотехника, Техническая физика, Приборостроение.

 

Сборник опубликован на английском языке

 


 

SHS Web of Conferences

Volume 43 (2018)

The 4th International Research-to-Practice Conference Lighting Design – 2017 (LD-2017)

St. Petersburg, Russia, October 12-13, 2017

R. Narboni, A. Bakholdin, M. Fontoynont and N. Bystryantseva (Eds.)

 

Foreword by Marc Fontoynont

 

Real-time, anthropomorphic 3-D scanning and voxel display system using consumer depth cameras as an interactive means of individual artistic expression through light

Andrei-Ducu Predescu and Georgios Triantafyllidis

AAU Copenhagen, Department of Architecture Design and Media Technology, 2450 A.C Meyer Vænge 15, Copenhagen SV, Denmark

Abstract

The research presented in this paper revolves around the development of an interactive light installation called NEO-David. The focus is on the development of kinetic light within the boundaries of real-time generated anthropomorphic form. The case study seeks to address the issues related to democratic aspects of art and participatory artistic development. The paper presents the setup of such a system and explores different technical development challenges of the design.

 

Interactive lighting art installation in virtual environments as a stimulus for public Ownership in urban development – Brighter Brunnshög

Boa Kim (1), Emmanouil Xylakis (2) and Georgios Triantafyllidis (2) 

1 - Dept. of Sculpture, College of Fine Arts, Seoul National University, 1 Gwanak-ro, Gwanak-gu, Seoul 08826, South Korea

2 - Dept. of Architecture, Design & Media Technology, Aalborg University Copenhagen A.C. Meyers Vænge 15, 2450 Copenhagen SV, Denmark

Abstract

Urban development projects are often opposed by residents due to a lack of sense of ownership over the project. This study is a methodological approach in creating interactive lighting art installations in virtual environments to stimulate this sense of ownership. The study is part of the Brighter Brunnshög project, which is the initial stage of the urban development plan for new research centres in Brunnshög, Sweden. The main goal of this research is to explore the impact of virtual lighting art installations on residents´ attitudes toward the urban development of their area. The research is based on qualitative field studies and focus group interviews, and was assessed with questionnaires. The design itself is based on the results of the research data and consists of three criteria; awareness, mutuality, and adaptability. The results of the assessment indicate that interactive lighting art installations in virtual environments have the potential to create awareness of areas under urban development, which is a fundamental condition for creating place attachment, and by extension, a sense of ownership over the project.

 

Filling the gaps: shaping lighting. Education for the future

P. Bech-Larsen, S. Linnebjerg and M.F. Mullins

Aalborg University, Copenhagen, Denmark

Abstract

Training and knowledge of lighting is an increasingly sought-after professional quality in Denmark and Sweden. However, technological development in the lighting field has been in recent years extremely rapid, not least in Scandinavia. This has led to a situation, where users, designers, specifiers, buyers and installers are often neither in possession, nor have access to, the knowledge about lighting that they need. The aim of the study is to map and analyze the existing offer and demand for competencies within lighting related fields. That is to say, the study has looked at the existing educational programs within a broad field of lighting and compared this ‘supply’ to the current ‘demand’ by local employers. The paper presents the results from a statistical analysis of data collected from a series of surveys, expert interviews and focus groups, involving more than 250 participants in Sweden and Denmark. Based on the findings, the paper presents recommendations for the design of educational curricula.

 

Environmental identity: “space” vs “place”

Elena Lekus

ITMO University, The Higher School of Lighting Design 190000 Grivtsova, 14, Saint Petersburg, Russia

Abstract

The article considers the problem of environmental identity, which is one of the most important criteria for the quality of the city's light environment. It is argued that a city’s sustainable development means creating conditions for the process of identifying its inhabitants, transforming the concept of the city as a "space" into the concept of the city as a “place”. There are a number of important socio-cultural trends that form the lighting culture of the modern city.

 

Creating identity with nature inspired lighting design – The Sensitive Organism

Anna-Rosa Hiort-Lorenzen, Beáta E. Kublik, Gordon Jäntsch, Paulina M. Dudkiewicz and Georgios Triantafyllidis

Master of Lighting Design, Department of Architecture, Design, and Media Technology, Faculty of Engineering and Science, Aalborg University Copenhagen, Denmark, 2017

Abstract

People, as living organisms, exist in symbiosis with nature; therefore, contact with nature is a basic human need. City nature is an important aspect of the urban living environment because people need an escapist experience from the everyday city life that they should find within their close environment. The outdoor lighting of urban nightscapes has a major influence on people's perception of space. Cities with an increasing number of inhabitants and late-night economic activity transform into 24-hour operating cities. This means that more attention should be given to investigating the social needs of public spaces in terms of night-time urban lighting, creating experiences and identities with nature. This paper aims to emphasize the potential hidden in nature-inspired lighting as a topic for further development in the field of lighting design. Nature inspired lighting is based on a transdisciplinary approach, where terms like biomimicry, biophilia, and urban green space adopted from other subject fields than lighting influence the lighting design process in order to create a product addressing human inner connectedness to nature. The example used in this paper presents the concept of a lighting master plan called “The Sensitive Organism”.

 

The impact of restorative audio-visual environment learning on the stress

Nikolai Matveev and Kirill Shamritskiy

The St.-Petersburg ITMO UNIVERSITY

Abstract

The experiment, conducted in the laser theater Lux Aeterna on the basis of the ITMO University, was aimed at testing the hypothesis about the positive effect of dynamic audio-visual content on the psycho-emotional state of a person and her academic progress after a long period of exposure. Both groups underwent a lengthy Bourdon test and a Shcherbatyh test for the learning stress. Only the participants who passed the laser theater session improved their productivity in the performance of monotonous work in the further passage of the test and showed a significant decrease in the level of general learning stress at the end of the experiment. Correlations between the level of learning stress and academic progress were not found. The use of sessions of dynamic audio-visual content based on the laser theater Lux Aeterna can be considered as an alternative relaxation method that allows changing the level of learning stress in people, increasing productivity in the performance of monotonous work and improve general well-being.

 

Architectural lighting in search of identity: The environmental approach

Marina Sokolova and Marina Silkina

Moscow Institute of Architecture (State Academy), Department of Design of Architectural Environment, 107031, Rozhdestvenka St., 11/4, building. 1, p. 4, Moscow, Russia

Abstract

This article examines the perception of architectural environment, and various approaches and methods of its light organization, including the design of evening illumination and objects of light design. Traced influence of the figurative discoveries of light art on light design, and the problems of the formation of individual light-plastic code of the urban environment as a means of manifesting the identity of the place are revealed.

 

Fractal analysis of the relationship between the visual complexity of laser show pictures and a human psychophysiological state

Nikolai Matveev (1), Aleksandra Sherstobitova (2) and Olga Gerasimova (1)

1 - Department of “The Higher School of Lighting Design”, Saint Petersburg National Research University of Information Technologies, Mechanics and Optics (ITMO University), Saint-Petersburg, Russia

2 - Department of Light Technologies and Optoelectronics, Saint Petersburg National Research University of Information Technologies, Mechanics and Optics (ITMO University), Saint-Petersburg, Russia

Abstract

This paper presents the results of the fractal analysis of the relationship between the visual complexity of laser show pictures and its human aesthetic perception. Recommendations on the use of laser effects in the art therapy are presented.

 

Sky brightness measurements for different environmental conditions by the example of St. Petersburg

Svetlana Kolgushkina

ITMO University, School of Photonics, Faculty of Laser and Light Engineering, Department of Creative Lighting Design, St. Petersburg, Russia

Abstract

St. Petersburg is unique place in Russia with an environmental phenomenon called “white nights” during summertime: sky brightness levels are influenced mostly by environmental conditions. Sky conditions during the winter are opposite: light emission is mostly caused by the anthropogenic factors. A series of experiments were conducted between May and December 2017 using a Sky Quality Meter (SQM-LU-DL), a night sky brightness photometer, to understand the differences between sky brightness levels for different environmental conditions and seasonal variations. Sky brightness distinction between the city center and 20 km distance were estimated for clear sky conditions.

 

Artificial light emission analysis for the city of St. Petersburg

Svetlana Kolgushkina

ITMO University, School of Photonics, Faculty of Laser and Light Engineering, Department of Creative Lighting Design, St. Petersburg, Russia

Abstract

Artificial light emission within the limits of major cities is increasing year by year. The level of this rapid growth depends on the influence of complex factors such as urban enlargement, air pollution, environmental conditions, lack of outdoor lighting master-planning, etc. Continuing monitoring of sky glow changes is an important part of the lighting environment’s complex analysis. This paper estimates the contribution of 18 districts of St. Petersburg to the glow between 2014 and 2017, evaluated with the use of Garstang’s model and GIS-based analysis of VIIRS data. The dynamic changes in sky brightness show a significant increase in the anthropogenic sky glow over three years.

 

Living with Light: an ethnographic study of older people’s use and experience of lighting at home

S.L. Nielsen and M.F. Mullins

Aalborg University, Copenhagen, Denmark

Abstract

This ethnographic study aims to better understand the culture, values and everyday life of elderly people in view of their use of lighting in their homes. By addressing different types of lighting and exploring when, how and why older people used various lighting sources in their homes, the study seeks new insight into and an in-depth understanding of how older people experience light in their everyday lives. The paper introduces the results of a qualitative analysis of the collected data and presents some observations on the values and meanings the elderly attach to light and lighting in their daily lives. It is argued that these patterns are largely shaped by the elderly’s bodily, social and cultural experiences and contexts, so a framework encompassing four major themes is proposed: 1. Traditions, Economy and Environment; 2. Quality of Life and Independence; 3. Health; and 4. Security and Safety.

 

Educational complex of light-colored modeling of urban environment

Vladimir E. Karpenko

Far Eastern Federal University (FEFU), School of Engineering, Department of Architectural Environment and Interior Design, 8 Sukhanova St. Vladivostok 690090, Russia

Abstract

Mechanisms, methodological tools and structure of a training complex of light-colored modeling of the urban environment are developed in this paper. The following results of the practical work of students are presented: light composition and installation, media facades, lighting of building facades, city streets and embankment. As a result of modeling, the structure of the light form is determined. Light-transmitting materials and causing characteristic optical illusions, light-visual and light-dynamic effects (video-dynamics and photostatics), basic compositional techniques of light form are revealed. The main elements of the light installation are studied, including a light projection, an electronic device, interactivity and relationality of the installation, and the mechanical device which becomes a part of the installation composition. The meaning of modern media facade technology is the transformation of external building structures and their facades into a changing information cover, into a media content translator using LED technology. Light tectonics and the light rhythm of the plastics of the architectural object are built up through point and local illumination, modeling of the urban ensemble assumes the structural interaction of several light building models with special light-composition techniques. When modeling the social and pedestrian environment, the lighting parameters depend on the scale of the chosen space and are adapted taking into account the visual perception of the pedestrian, and the atmospheric effects of comfort and safety of the environment are achieved with the help of special light compositional techniques. With the aim of realizing the tasks of light modeling, a methodology has been created, including the mechanisms of models, variability and complementarity. The perspectives of light modeling in the context of structural elements of the city, neuropsychology, wireless and bioluminescence technologies are proposed. Conclusions are given on the environment-forming and transforming significance of artificial light and light technologies in the space of modern city. Light-colored modeling identity is expressed in methodical and figurative-artistic continuity in the use of techniques of light composition and optical art. The use of light composition contributes to the expression of local identity by means and techniques of light composition in the context of the image, “genius loci” using the example of the Vladivostok seaside city. Identity in psychology is expressed in the personal selection of the techniques of light composition, which are used in light-colored modeling.

 

SHS Web of Conferences | Volume 43 (2018)

 

Организаторы конференции

Университет ИТМОВысшая школа светового дизайна Университета ИТМО (CLD ITMO University), творческое объединение светодизайнеров RULD.

Контактная информация

Тел: +7 965 001 15 32
e-mail: cld.conf@corp.ifmo.ru

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